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Young niggas, extended clips, black nines, number five Running round, talking down, playing games, niggas die

In the streets niggas look up to Gotti and I understand whyĪin’t on that slick shit, nigga, I see eye to eye He’s a pussy and I exposed this nigga, I sell hope See these niggas sub-leasing, but his fans don’t know Nigga, I just bought a Phantom off the showroom floor For some, the remaining songs may be just as generic as Yo Gotti rarely ventures from relating tales of his life, both in the dope game and rap game. Unfortunately the concept is pretty damn repetitive on “I Got Dat Sack” and “Kill Dem Hoes” is actually a song by some wack rapping chick named Sylver Karatz that only features Yo Gotti. It’s a generic but satisfying recipe for southern beats. “I Got Dat Sack” and “Kill Dem Hoes” both have hard hitting bass and minimal, dark synths. The beats are all dope, even on the ones that didn’t make the cut. The songs found on the mixtape are all original. The interludes find Yo Gotti telling us the story of how he found out about “Live From The Kitchen’s” release date, how much he loves his fans, how his label came about, etc. So out of the 8 actual songs on this mixtape, 6 were dope to me. They are very informative and entertaining for the most part, but one listen was enough for me to get the idea. The number is deceitful because out of the 14 tracks found on this mixtape, 6 are actually 1 minute interludes that consist of Yo Gotti speaking on a variety of issues. On this mixtape I found myself sparing 6 out of the 14 songs from the dreaded bin. The process frees up my hard drive and ears from unnecessary material. Rapper’s generic take on the beat of the week? Recycle Bin. Dope song with a DJ yelling every 30 seconds? Recycle Bin. It’s a simple process with a plethora of factors that influence. Then throw out anything I don’t see myself listening to again. I’ve reduced mixtapes to a practical process. “January 10th” serves both as a way for Yo Gotti to vent and clear up a few issues and drop some tracks which were left off the retail version of his album. Yo Gotti rightfully calls himself one of the most popular rappers on the mixtape circuit and is unhappy with the unceremonious manner his album has been treated. After being in limbo for over 5 years, Yo Gotti only learned of “Live From The Kitchen’s” release date when someone told him the album was up for pre-order on iTunes. Yet, with “Live From The Kitchen” Yo Gotti felt a little disrespected and for good reason. His major label “debut” dropped on Januand this mixtape was meant to both undercut and advertise “Live From The Kitchen.” Like any rapper, Yo Gotti wants to sell records. The second reason is the fact this date holds some significance to the Memphis emcee. Name the mixtape after its release date and advertise both with one short phrase. Yo Gotti’s latest mixtape veers from his every popular “Cocaine Music” concept for more than a few reasons.